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ALICE NEEL

THE ART OF NOT SITTING PRETTY

An intimate look at one of American art history's unsung heroes.

Culture and arts writer Hoban (Basquiat: A Quick Killing in Art, 1998) presents an accessible biography of painter Alice Neel (1900–1984).

Like many creative geniuses, Neel's story as an artist began with a rebellious childhood. From an early age, she turned to art as an outlet to cope with her rejection of turn-of-the-century societal sensibilities. Even at the Philadelphia School of Design for Women, Neel felt like an outsider, despite the fact that she was repeatedly recognized for her talent. Later on, her aversion to conformity persisted in her choice of mediums. During the height of abstract expressionism, she forged ahead as a realist painter, producing dark and psychologically revealing portraits of a diverse group of people. She found subjects all around her, from the masses on the New York streets to her well-known artist friends (Andy Warhol, Joe Gould) to her own children, and Neel captured a stark, disarming beauty in all of them. Because her work was often brutally personal—for example, the paintings she produced after the death of her first child—Neel's oeuvre is also extraordinarily reflective of her life and alludes to such issues as her struggle with feminine roles, including motherhood, and her involvement with Marxism and the Communist Party. Amid the personal issues that dogged her—mostly trouble with men and money—Neel remained prolific, slowly gaining professional recognition. In 1970, she was commissioned to paint Kate Millett for the cover of Time, and in 1974, her work appeared as a retrospective at the Whitney. Throughout this moving biography, Hoban allows Neel's triumphs and struggles to inform her experience, and the result is an honest narrative of an artist who always strived to document the truth, however difficult. “No matter what happens to you,” she once said, “you still keep on painting.”

An intimate look at one of American art history's unsung heroes.

Pub Date: Dec. 7, 2010

ISBN: 978-0-312-60748-7

Page Count: 512

Publisher: St. Martin's

Review Posted Online: Sept. 13, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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