Though it’s slightly over-indebted to Toni Morrison’s fiction (especially Song of Solomon and Beloved) and occasionally flawed by needlessly abstract statement, there’s little else wrong with this powerful first novel, the work of a Pulitzer-winning Atlanta journalist. It’s 1994 in Alabama when Elizabeth —Lizzie— DuBose, a black woman from a prosperous middle-class Tuskegee family, is released from her 14-year incarceration in several “nuthouse[s]” following what appeared to be multiple self-mutilations and suicide attempts. In a flexible and fascinating narrative that shifts among various years of Lizzie’s “illness” and recovery, Perry builds a harrowing, and eventually healing, picture of the continuity binding together the generations of a family whose shared burdens are simply summarized by Lizzie’s great-aunt Eva: “The past ain’t never really gone, is it ?” The truth of that question is thrust upon Lizzie when, in 1974, she inherits a trunk from her grandmother Grace, an “infamous woman” who had inexplicably abandoned her husband and children. The trunk contains, in addition to miscellaneous memorabilia, a diary recording their ancestor Bessie’s passage to America on a slave ship, and a quilt into which Grace had stitched the history and dreams of Ayo (Bessie’s African name) and their family. The dementia that others observe in Lizzie thereafter is, in fact, her possession by the reincarnated figures (“forever people”) of Ayo’s story. Lizzie experiences what her foremothers endured: blood flows from her body, and the “stigmata” of marks made by iron chains appear on her wrists and legs. The trancelike states in which she “becomes” her long dead kin are handled with great subtlety, and Perry contrives several really magnificent scenes: among other affecting moments, there’s Grace’s cry of pain during sex with her husband, when she relives Ayo’s rape by white slavers, plus Lizzie’s vision, while puttering in an asylum’s garden, of Ayo standing with a hoe in a nearby field. The ordeal of slavery and its victims’ courageous survival of its legacy have seldom found such memorable symbolic expression. (Book-of-the-Month Club/Quality Paperback Book Club Selection)
Pub Date: Aug. 3, 1998
ISBN: 0-7868-6408-7
Page Count: 240
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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