A fairly standard romance bolstered by intriguing characters and a lush setting.
A young woman finds herself drawn into the seductive world of the Hamptons in Murray and Fahrie’s novel.
Lindsey is a 30-year-old New Yorker working at a PR firm. Her life is turned upside down one night when a man follows her home and assaults her in her apartment. If not for the quick action of a friendly neighbor and his vicious guard dog, Lindsey would have been raped or worse—but the event still leaves its mark. She flees the city to her aunt’s country house in Westchester, hoping to recover, finding it impossible to return to Manhattan. (“My shiny Big Apple wonderland had shriveled up like a piece of dried fruit,” she muses.) When her ex-boyfriend Karl Tuck proposes that she follow him back to Southampton, Lindsey is hesitant to fall back into bad habits with the seductive and smug Karl, but he assures her that their relationship will be all business as he works to mount a festival for the Hamptons’ wealthy elite and provides her with an excuse to stay out of the city. As the two find themselves in the office together, Lindsey can’t help but wonder how long it will be before she’s be back in his bed as well. (“He was an addiction and I was an addict in danger of slipping back because I’d returned to the old bad neighborhood too soon,” she thinks as passionate memories consume her thoughts.) Lindsey tries to focus instead on her kooky neighbor, Jasmine Fournier, a wild free spirit who shops at vintage stores and seems to know everyone in town. She confesses to Linsdey early on that she has a secret, but as with the Hamptons setting itself, it will take Lindsey time to fully understand all the intricate details. She immerses herself in the world of the wealthy and the region’s unique history, hoping to bring a touch of art and culture to Karl’s festival. Along the way, she encounters the enigmatic Colin Preston; as Lindsey struggles to sort out her feelings, she also finds herself drawn to the handsome stranger and his eccentric Hamptons family.
The Hamptons provide a breathtaking backdrop for a romance, and they lend the narrative a softer, more inviting ambiance through Lindsey’s thoughtful focus on history and nature—it’s a nice contrast to the glitz and glamour that readers might expect. The harmony of the beaches has an uneasy undertone to it, however; Lindsey’s attack is so vivid and brutal that readers will be expecting monsters or murders behind every sand dune, a tension that clashes with the much gentler, conventional romantic stakes the book eventually settles into. Lindsey’s memories of passionate hotel room nights with Karl are steamy enough to keep pulses racing, and Jasmine is a fabulous creation bringing fun, mystery, and vulnerability to the proceedings. (In one of the book’s best moments, when Jasmine learns her beloved employer is on his deathbed, she rushes immediately in the opposite direction to steal his book collection, howling, “I won’t let this opportunity slip through my fingers. Not this time. Yes! Yes! I deserve everything.”) Lindsey herself is a strong heroine—her flaws and weakness for Karl’s muscles included. Fans of the romance genre might not uncover any major surprises following her around the ritzy world of the Hamptons, but she still offers them a lot to love.
A fairly standard romance bolstered by intriguing characters and a lush setting.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Aug. 14, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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