A fairly standard romance bolstered by intriguing characters and a lush setting.
A young woman finds herself drawn into the seductive world of the Hamptons in Murray and Fahrie’s novel.
Lindsey is a 30-year-old New Yorker working at a PR firm. Her life is turned upside down one night when a man follows her home and assaults her in her apartment. If not for the quick action of a friendly neighbor and his vicious guard dog, Lindsey would have been raped or worse—but the event still leaves its mark. She flees the city to her aunt’s country house in Westchester, hoping to recover, finding it impossible to return to Manhattan. (“My shiny Big Apple wonderland had shriveled up like a piece of dried fruit,” she muses.) When her ex-boyfriend Karl Tuck proposes that she follow him back to Southampton, Lindsey is hesitant to fall back into bad habits with the seductive and smug Karl, but he assures her that their relationship will be all business as he works to mount a festival for the Hamptons’ wealthy elite and provides her with an excuse to stay out of the city. As the two find themselves in the office together, Lindsey can’t help but wonder how long it will be before she’s be back in his bed as well. (“He was an addiction and I was an addict in danger of slipping back because I’d returned to the old bad neighborhood too soon,” she thinks as passionate memories consume her thoughts.) Lindsey tries to focus instead on her kooky neighbor, Jasmine Fournier, a wild free spirit who shops at vintage stores and seems to know everyone in town. She confesses to Linsdey early on that she has a secret, but as with the Hamptons setting itself, it will take Lindsey time to fully understand all the intricate details. She immerses herself in the world of the wealthy and the region’s unique history, hoping to bring a touch of art and culture to Karl’s festival. Along the way, she encounters the enigmatic Colin Preston; as Lindsey struggles to sort out her feelings, she also finds herself drawn to the handsome stranger and his eccentric Hamptons family.
The Hamptons provide a breathtaking backdrop for a romance, and they lend the narrative a softer, more inviting ambiance through Lindsey’s thoughtful focus on history and nature—it’s a nice contrast to the glitz and glamour that readers might expect. The harmony of the beaches has an uneasy undertone to it, however; Lindsey’s attack is so vivid and brutal that readers will be expecting monsters or murders behind every sand dune, a tension that clashes with the much gentler, conventional romantic stakes the book eventually settles into. Lindsey’s memories of passionate hotel room nights with Karl are steamy enough to keep pulses racing, and Jasmine is a fabulous creation bringing fun, mystery, and vulnerability to the proceedings. (In one of the book’s best moments, when Jasmine learns her beloved employer is on his deathbed, she rushes immediately in the opposite direction to steal his book collection, howling, “I won’t let this opportunity slip through my fingers. Not this time. Yes! Yes! I deserve everything.”) Lindsey herself is a strong heroine—her flaws and weakness for Karl’s muscles included. Fans of the romance genre might not uncover any major surprises following her around the ritzy world of the Hamptons, but she still offers them a lot to love.
A fairly standard romance bolstered by intriguing characters and a lush setting.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Aug. 14, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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