A memorable look at the joys and tribulations of growing up in a small town during a bygone era.
A historical novel offers a collection of stories about life, love, and family in the rural South.
Evangeline “Vangie” Tanner has returned to her girlhood home in Collins, Mississippi, to mourn the loss of her beloved father. While digging through her memory box, Vangie uncovers an assortment of knickknacks that trigger sweet and poignant recollections of her childhood. Her memories are a window to the past, small moments that allow glimpses of larger social issues through a child’s eyes. There is ample humor throughout the novel, as Vangie recalls incidents such as her father slapping the preacher after the man startled him awake. There’s a thread of nostalgia as well, as Vangie muses on first dates and crazy relatives. But the cozy reflections do not mask the darker realities of a Southern community in mid-20th-century America. Women are expected to “get married and have a passel of children.” An African-American youth named Willie T. Clifford breaks off his friendship with Vangie because of their differing skin colors. The story about Rachel Katz, Vangie’s Jewish neighbor, is particularly striking. When Miss Rachel is attacked for her Jewish heritage, the neighbors murmur about the shame of it all. Vangie astutely observes the display of hypocrisy by most residents of Collins who refuse to take responsibility. This charming novel, a 2017 Faulkner Finalist, goes down like sweet tea on a warm summer night, a glass of refreshment and comfort. Pittman (Pony Tales, 2014, etc.) is an evocative writer. Her characters are well-defined, springing to life from the page in witty conversations and vibrant descriptions. Each story could stand alone, though they are all tied together through Vangie’s memory box. And each tale moves Vangie’s own life forward, eventually landing the small-town girl in Europe, where she discovers her future path. The author admirably balances the lightness of some stories with heavier themes of race, religion, heritage, and family.
A memorable look at the joys and tribulations of growing up in a small town during a bygone era.Pub Date: June 1, 2018
ISBN: 978-1-73231-740-6
Page Count: 248
Publisher: Serendipity Press
Review Posted Online: Sept. 13, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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