by Phyllis Reynolds Naylor & illustrated by Kay Chorao ‧ RELEASE DATE: Sept. 10, 1982
You are sure to draw some giggles with this story of seven-year-old Jonathan's strange adventure on flu-shot day. Dr. Mack is giving out a helium balloon with every shot, but Jonathan's little brother Sam makes such a fuss over his shot that the doctor rushes through Jonathan's just to get rid of the family. As might be anticipated—it's been squarely set up—he shoots medicine into Jonathan's balloon and helium into Jonathan's arm. Once outdoors, along comes big Duke Duncan, eight, who's been threatening to beat Jonathan up. But just as Duke takes a swing, up goes Jonathan. And when the police come with long ladders to bring him down, he just pops back up above the rooftops. Actually, Jonathan has a pretty good time floating around that day and the next. The only flaw in the fun is Duke keeping a constant eye on him from down on the sidewalk. But once the helium has leaked from Jonathan's ears and he hits ground, he finds that Duke is following him just to share the glory: "I was the very first one to see him go up!" Naylor's writing isn't as buoyant as her hero, but kids will connect with the fantasy.
Pub Date: Sept. 10, 1982
ISBN: 0440414989
Page Count: 68
Publisher: Atheneum
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1982
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by Phyllis Reynolds Naylor ; illustrated by Vivienne To
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by Katherine Rundell ; illustrated by Ashley Mackenzie ‧ RELEASE DATE: Sept. 10, 2024
An epic fantasy with timeless themes and unforgettable characters.
Two young people save the world and all the magic in it in this series opener.
When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.
An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)Pub Date: Sept. 10, 2024
ISBN: 9780593809860
Page Count: 368
Publisher: Knopf
Review Posted Online: May 30, 2024
Kirkus Reviews Issue: July 1, 2024
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by William Shakespeare ; adapted by Georghia Ellinas ; illustrated by Jane Ray ‧ RELEASE DATE: April 7, 2020
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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