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THE KEEPER

Nick Karpinski finds he must cope at home with his father's sudden plunge into mental illness while pretending that nothing is wrong. Eighth-grader Nick lives with his father, Jacob, and mother, Wanda, in a modest Chicago apartment. One day Jacob quits his job at Life Trust Insurance. Nick and Wanda don't press the taciturn Jacob to tell them why, and are relieved when he gets a new job. But soon Jacob leaves it as signs of mental illness surface. Jacob is suffering paranoid delusions, suspecting everyone of being a Communist; he feels he will be assassinated because he "knows too much." Wanda is ashamed to seek outside help or even breathe a word about it. Nick gets a part-time job to support the family, and falls into a nightmarish existence of living the life of a normal student during the day, his father's keeper through sleepless nights. He finds no easy answers and no real help from his uncle or the family priest. After Jacob brings home a rifle, Nick convinces the police that his father should be hospitalized and, against his will, Jacob is committed. Now the burden will be shared and Nick can rebuild his life. This is a rewarding book, well-written and careful in delineation of character and mood. Naylor wisely doesn't attempt to pinpoint the exact cause of Jacob's illness nor promise a miracle cure. Instead she focuses on the unwelcome and painful choices a boy must make for a father who can no longer function.

Pub Date: March 1, 1986

ISBN: 0553268821

Page Count: 196

Publisher: Atheneum

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Feb. 15, 1986

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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