by Phyllis Strupp ; illustrated by Jana Myers ‧ RELEASE DATE: Jan. 7, 2025
A well-designed and optimistic framework for staying sharp while growing older.
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Strupp offers a multistep plan for keeping one’s brain healthy later in life.
In her latest work of nonfiction, the author, a self-described brain coach, primarily aims to help readers aged 40 to 60 craft their own personal AI (“autobiographical intelligence”) to stave off Alzheimer’s disease and other forms of mental deterioration associated with age. The key to her multistep approach is storytelling, which she views as crucial to mental health; she even adapts the Cartesian motto “I think, therefore I am” into “I narrate, therefore I am.” She contends that one’s personal story is like a rope made of words—a braided “mindDNA” that determines how that person will age. “Mental health,” she writes, “is a flawed concept that should be replaced by story health.” Strupp proposes seven steps for improving such health: “Reclaim,” “Reframe” (“By shaping the words you say to yourself about yourself…you can strengthen your mindDNA”), “Review,” “Renew” (which addressees the physical replacement rate of the body’s cells), “Redirect,” “Reset” (“the afternoon of life requires heroic action to strengthen the story rope”), and, finally, “Rejoice.” Each of these key elements can be strengthened, she says, by its own mental “tool,” such as the “Inner Compass Tool” in the “Reclaim” chapter, and she explains how to use each one. To illustrate the use of the tools in narrative terms, Strupp uses a fictional character named Grace, a recently laid-off, 46-year-old single mother raising her 11-year-old daughter. The book includes numerous, full-color illustrations by Myers to clarify its points.
The author makes the wise tactical decision to open her book on a personal note, describing how, during her own “afternoon of life”—when she seemed to have most of her lifetime goals—she still felt unfulfilled: “This acute, painful feeling—what I call a soul-ache—pushed me to seek what mattered most in life,” she writes. “I felt the need to make sense of my life: the good, the bad, and the ugly.” Cliches such as these appear throughout the book, and some aspects of the work feel oversimplified—especially regarding the biological factors of degenerative conditions that can’t simply be avoided by maintaining an active mind. However, the stories that she draws from her own experiences as a consultant, as well as the generalized precepts she inserts into the tale of Grace and her own family, paint an appealingly optimistic picture. The concept of “SuperAgers,” who work hard to enable their brain to outlast their body, underscores this combination of perfectibility and communal connection. The author notes, for instance, that counteracting the dopamine rush that accompanies over-indulgence involves a different, more powerful brain chemical—oxytocin, whose effect, she says, is strengthened by “activities people have been doing for millennia”: “dancing, empathy, eye contact, giggling, hugs, play, sex, singing.” Many elements of Strupp’s upbeat book embrace the notion of holistic personal effectiveness, urging people in their later years to look on the challenges of aging as potentially beatable.
A well-designed and optimistic framework for staying sharp while growing older.Pub Date: Jan. 7, 2025
ISBN: 9780974672762
Page Count: -
Publisher: N/A
Review Posted Online: Dec. 31, 2024
Kirkus Reviews Issue: Feb. 15, 2025
Review Program: Kirkus Indie
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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