by Piers Anthony ‧ RELEASE DATE: Sept. 26, 1990
A rare horror novel from the prolific and popular fantasist—and one that is really an adult fantasy at heart, gaudily celebrating the magic and terror of lust and love. The monster here—the "firefly"—snares its victims through effusions of pheromones, then sucks up their flesh, leaving only skin and bones. More eerie than fearsome, Anthony brings it on stage—wisely—only deep into the novella: a Fright Night knockoff of a sea-born blob. Far more interesting are its human foes, charming misfits who are Anthony's real focus. Foremost are "Geode" Demerit, caretaker of the Florida estate on which the first victim is found, and "Oenone" Brown, a poor local housewife whose son, then husband, are consumed by the firefly—forcing her to take refuge in the estate's mansion. Intoxicated by the perfumes of the foraging firefly, Geode and Oenone fall in love, Geode losing his impotency and Oenone her mousiness. Parallel to their love story runs that of Frank Tishner, a local cop, and May Flowers, trouble-shooter for the absent owner of the estate. As these two conspire to destroy the firefly, they also fall in love. Yet both love stories are only flames for the novel's real canvas, a panel of tales that Oenone tells—ranging from a bittersweet fable about a raped princess to a truly shocking story of a sexually abused five-year, old seductress: Oenone herself as a child. And within the cracks between these story-bricks, the firefly hovers, killing relentlessly until it kills one of the lovers—leading to the insect's death: but what about those baby fireflies? In an afterword, Anthony calls this "a special novel. . .of more consequence than my fantasy." Fair enough—though the copious, almost pornographic, sex nearly overwhelms his inventive storytelling, rich with surprising characters and Chinese puzzle-box plotting.
Pub Date: Sept. 26, 1990
ISBN: 0380759500
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: March 19, 2012
Kirkus Reviews Issue: Aug. 15, 1990
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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