by Piers Paul Read ‧ RELEASE DATE: July 1, 2005
A solid if sometimes digressive portrait of a stoic, hardworking player, never really influential but certainly memorable.
In which living as Obi-Wan Kenobi proves to be the best revenge.
Born in 1914, Alec Guinness, writes novelist-historian Read (Alice in Exile, 2002, etc.), was a bastard—in that old-fashioned, literal sense, that is. “My mother was a whore,” Guinness plainly told his friend John le Carré, a bit peeved at the matter. Illegitimate birth was common in those days, of course, but bound to mark a person for life in class- and status-conscious England; so, too, were the psychic wounds left by a stepfather and an “uncle” or two. Guinness channeled his adriftness into art, though the road was rocky: his first acting teacher offered to refund his tuition after a handful of lessons, sure that he would never amount to anything. She was wrong: inside a few years, Guinness was a member of the Old Vic troupe of Shakespearean actors, renowned throughout Europe for his Hamlet. Along the way, he became friendly with John Gielgud and other stage actors who adopted him as their own, and he met his wife Merula, who had much acting ability herself. Her career, though, was “a casualty of Alec’s meteoric rise to fame,” Read writes, inasmuch as Guinness was one of those no-wife-of-mine types, an odd blend of conservative and progressive. (Read offers that Guinness later defended himself by saying that his wife was simply too good for the theater.) Constantly worried about money—and, Read ventures, by matters of sexual identity—Guinness dirtied himself with film work, for which he had natural and abundant talents. Channeling Guinness, who kept notes and diaries, Read trades in exquisite gossip about David Lean, Peter O’Toole, Omar Sharif and other actors and directors with whom he worked, closing with the Star Wars franchise, which Guinness found distasteful but which brought him the first real financial security he had known (“I just think, thankfully, of the lovely bread”).
A solid if sometimes digressive portrait of a stoic, hardworking player, never really influential but certainly memorable.Pub Date: July 1, 2005
ISBN: 0-7432-4498-2
Page Count: 624
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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