A real potboiler but a good one: interesting characters, exciting situations, a nice, taut narrative.
A sweeping historical from Britisher Read (The Templars, 2000, etc.), who brings us into WWI and the Russian Revolution as seen through the eyes of a liberated young lady of the early 20th century.
Alice Fry may seem as English as Devonshire cream, but she is actually half-French, and her father, the founder and president of the Progressive Press, is a couple of degrees short of being an outright Communist. Alice is both open-minded and uncommonly well-informed about the world—thanks, in part, to all the books on her father’s backlist—so it shouldn’t be too surprising that her first great love affair is with someone most of her friends consider entirely inappropriate: an aristocrat. Edward Cobb is the son of a baronet, a product of Eton and Oxford, an army officer, and a budding member of Parliament. Seduced by the precocious Alice, he’s smitten overnight and begs her to marry him. Although Alice disapproves of marriage as an institution, she accepts. But soon afterward Alice’s father becomes the center of controversy when one of his books (a treatise on sex) brings a trial for public obscenity. Worried for his political career, Edward decides that Alice is too much of a liability and breaks off the engagement. Pregnant with his child, Alice leaves the country for a position as governess in the household of a Russian count. There, the turmoil of WWI and the approaching Russian Revolution surround her—turmoil that she (as daughter of a socialist intellectual) is in a better position to understand than most. Meanwhile, Edward regrets his decision and sets off to search for her in a Europe convulsed by revolution and war. Alice, however (now the mother of Edward’s son), has fallen in love with the baron who hired her.
A real potboiler but a good one: interesting characters, exciting situations, a nice, taut narrative.Pub Date: Nov. 1, 2002
ISBN: 0-312-30398-X
Page Count: 352
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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