by Pinkhes-Dov Goldenshteyn ; translated by Michoel Rotenfeld ‧ RELEASE DATE: Dec. 10, 2024
A fitting conclusion to a well-researched and meticulously edited memoir translation.
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The second volume of the memoir of a kosher animal slaughterer, accompanied by historical researcher Rotenfeld’s commentary.
The first volume of Ukrainian-born Goldenshteyn’s life story offered a unique glimpse into late 19th and early 20th century Jewish history. Although Goldenshteyn (1848-1930), a Hasidic Jew, doesn’t rank among the leading intellectuals or theologians of his day, his work as a shochet, with specialized training in slaughtering animals in accordance with Jewish dietary laws, provides a unique perspective on turn-of-the-century Judaism from a devout, working-class perspective. Originally written in Yiddish, Goldenshteyn’s memoir has been carefully translated into English by Rotenfeld, who offers readers ample footnotes that help to contextualize the work. Picking up where the first volume left off, this book begins after Goldenshteyn’s meandering journey through Eastern Europe, including Ukraine and the Crimea, and his arrival in Palestine in 1913, where he would live for 17 years. Like many Zionists, his faith included both religious piety and political engagement. Although the history of Zionism is well known, what stands out in this remembrance is the author’s perspective as a rank-and-file observer of Zionist organizations. Religion, of course, also takes center stage, as the shochet approached life’s difficulties with an earnest belief in God’s divine plan: “I struggled to earn my daily bread,” he writes, adding, “but I accepted these difficulties with love.” Written chronologically, the book’s timeline often blends multiple themes into single chapters. One, for instance, discusses the marriage of his niece and the writing of a Torah. This stream-of-consciousness approach can be disorienting at times, but it also offers a wealth of details and the thoughts of a transnational Jewish man on topics that range from observations on the Ottoman Empire during World War I to complexities in the lives of Jewish families dispersed throughout Europe.
Goldenshteyn’s dizzying prose style is tempered by Rotenfeld’s useful analysis. However, because this edition picks up immediately where the first ends, newcomers may become lost in the intricacies of characters, events, and references. The lack of a contextualizing introduction gives this volume an abrupt beginning, but it concludes with more than 200 pages of appendices, comprised of family trees and genealogies, primary source documents, and a glossary of Jewish names, geographic locations, and transliteration schemes. This is clearly not a work designed to be standalone, but the concluding edition of a two-book set. Rotenfeld’s background as the director of Touro University Library’s collection of archival Jewish diasporic material offers readers an unparallel intellectual resource regarding the nuances of early 20th century Jewish history. The book’s learned footnotes make an otherwise arcane memoir, full of references to long-dead Jewish figures, obscure family members, and antiquated terminology, accessible to a general audience. It also includes dozens of photographs, diagrams, maps, and other images, and more scholarly minded readers will appreciate the 12-page bibliography and discussion of the translation methodology. Working closely with Goldenshteyn’s descendants, Rotenfeld also provides readers with supplementary information on the lives of the shochet's children and those of extended family members mentioned throughout, providing closure on storylines that postdate the narrative.
A fitting conclusion to a well-researched and meticulously edited memoir translation.Pub Date: Dec. 10, 2024
ISBN: 9798887196138
Page Count: 500
Publisher: Academic Studies Press
Review Posted Online: Dec. 31, 2024
Kirkus Reviews Issue: Feb. 15, 2025
Review Program: Kirkus Indie
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by Pinkhes-Dov Goldenshteyn translated by Michoel Rotenfeld
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton ; photographed by Brandon Stanton
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