A vicious, hilarious satire of bond traders and, by extension, the prevailing mindset of corporate America. This audacious first novel (by a former salesman for First Boston) echoes the biting tone of Catch-22. Rather than cogs in an absurd war machine, however, Bronson's protagonists are desk-bound hustlers trying to sell complicated and shady corporate bonds to the gullible or to those who know the government will bail them out when the bonds go belly-up. Caught in a cycle of making outrageous commissions for meeting outrageous quotas, the traders at Atlantic Pacific push themselves to physical and psychological ruin just to keep up. Sid Geeder loathes every new bond that management forces him to sell; because he hates the whole racket, he tries to bankrupt it by moving as many bonds as possible—which perpetually keeps him at the top of the heap as ``King of Mortgages.'' Geeder's position is threatened by Eggs Igino, a young hotshot who is such a good salesmen that he palms off breakfast futures on his fellow traders. But Iginio's genius leads him to the radical thought that maybe the bonds in which corporate America wallows are not ethical, a conclusion that creates a crisis for Sid and the entire firm. This couldn't come at a worse time, as Atlantic Pacific is trying to float bonds on the Dominican Republic in order to claim the nation as a corporation, then take it over and exploit its assets. Fast-paced, enlivened by a cast of odd yet believable characters, Bronson's debut is filled with wit and storytelling sleight of hand that will have readers alternating tears of laughter with tears of despair over the state of our financial institutions. Required reading for politicians and financiers, in hopes that it will make them think twice about the way they're mortgaging America's future. Required reading for everyone else, just because it's so much fun. (Author tour)
Pub Date: March 1, 1995
ISBN: 0-679-43541-7
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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