A pleasant dramedy for people who want to retire to the country.
After a bereavement, a young Englishwoman moves to a small village and figures out what she wants from life.
Jess Metcalfe has been contentedly floating through life, working at the local library, living with her beloved grandmother Mimi, and having regular video chats with her best friend, Hannah, who’s moved to New Zealand. In what seems like an instant, however, Mimi dies, the library closes, and Jess doesn’t know what to do with herself. On a whim, she buys a little cottage in the Devon village of Middlemass and finds herself with a daunting renovation ahead of her and an iconic—and abandoned—red telephone box that she's now responsible for out front. After attending a town meeting foisted on her by Aidan Foxworthy, her cute, single-dad neighbor, Jess finds herself setting up a tiny lending library inside the phone booth and watching as it slowly brings the whole community together. This is a novel about a village, and Alexander has created a group of colorful characters who each have their own charm—from Becky the harried mom to Diana the stylish retiree, Joan and Muriel the sniping neighbors (and possibly sisters?), and of course Aidan the attractive neighbor. While Jess is connected to everyone, the other character' stories mostly happen off the page, so a large part of the novel consists of villagers telling Jess what happened to them slightly earlier. Even during scenes where Jess is present, the reader is often simply told that she gave a speech and it was touching rather than being shown the speech itself. All this auxiliary plot leaves little time to dive into Jess’ main problem, which seems to come out of nowhere (as well as being something she should have foreseen from the start). Nevertheless, the book does charm, especially in its descriptions of the village.
A pleasant dramedy for people who want to retire to the country.Pub Date: July 19, 2022
ISBN: 978-0-06-321693-8
Page Count: 336
Publisher: Avon/HarperCollins
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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