Richly populated with fascinating northlanders, Native Americans, and many border patrol agents, this is highly entertaining...
The life and times of America’s other border.
The southern border of the United States gets all the attention, but it’s barely half as long as the northern border; its story is “a tale of early mistakes, and more than two centuries of fixes.” Fox (Deep: The Story of Skiing and the Future of Snow, 2013), a Maine native (he now lives in New York) and editor of the travel journal Nowhere, took a coast-to-coast, two-year journey weaving in and out of a boundary that, “on paper, looks like a discarded thread—twisted and kinked in parts, tight as a bowstring in others,” to see it firsthand and to recount its rich history. He didn’t make an itinerary: “I packed a canoe, tent, maps, and books and headed for the line.” He began one chilly October morning in Lubec, America’s easternmost border town near Passamaquoddy Bay. In June 1604, writes the author, Frenchman Samuel de Champlain entered the bay with two large boats and a crew of 150 to begin his own exploring. Throughout, Fox chronicles in detail Champlain’s adventures, good and bad, as well as those of many other explorers and adventurers from the border’s past. This gives the book an added richness, providing helpful historical context to the places the author visits. Early on, Fox’s trip almost ended when he nearly capsized a small outboard boat in high waves in below-freezing Sandy Bay. He recounts that in 1775, the Continental army attempted a doomed invasion of Canada, and in the 1920s and ’30s, a U.S. planning committee even “drew up plans to seize Canada.” In Montreal, Fox hitched a ride on a “moving skyscraper,” the freighter Equinox, as he traversed the Great Lakes. In eastern North Dakota, he got caught up in Indian protests over the oil pipeline.
Richly populated with fascinating northlanders, Native Americans, and many border patrol agents, this is highly entertaining and informative travel literature.Pub Date: July 3, 2018
ISBN: 978-0-393-24885-2
Page Count: 336
Publisher: Norton
Review Posted Online: April 29, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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