First-rate commercial fiction.
Graeme-Evans (The Dressmaker, 2010, etc.) intertwines two adventures separated by more than a millennium.
Grad student Freya Dane inherits Findnar, an island off the northeastern Scottish coast, from her father, Michael, an archaeologist who left Australia and her mother years ago. Arriving on the island, she finds a letter left by Michael, who tells her he had been excavating in the stone circle that stands on Findnar alongside the ruins of an abbey. “There are riddles in this place that I have never solved,” the letter continues, “I must ask you to help me, though I have no right.” It’s soon apparent that these riddles concern the parallel narrative of Signy, who comes to Findnar from the mainland to perform a sacrifice, despite the hostility of the island’s Christian newcomers, who object to pagan rites near their church. Freya begins digging while improving on an initially uneasy relationship with Daniel Boyne, a fisherman still guilty about the fact that Michael died while rescuing him from drowning. Signy sees Findnar sacked by Viking raiders and is rescued by a kindly nun, as is a near-dead boy who was one of the raiders. Graeme-Evans unfolds separate but equally compelling dramas as Signy falls in love with the wounded raider, with disastrous consequences, and Freya and Daniel are drawn together by unnerving shared visions of the long-ago tragedy. The semi-supernatural way the modern protagonists uncover the mysteries of the past isn’t terribly plausible (or necessary), but the storytelling is so strong, the characters so engaging, that most readers won't care. Freya, longing to connect with the dead father whose absence has always haunted her romantic relationships, and Signy, resolute and defiant under the most terrible circumstances, are surrounded by a vivid supporting cast, including starchy librarian Katherine MacAllister, who was Michael’s lover, and glib-but-not-so-bad architect Simon Fettler. The conclusion of Signy’s saga is dark indeed, so it’s a relief that Graeme-Evans lets Freya have a happy ending.
First-rate commercial fiction.Pub Date: June 26, 2012
ISBN: 978-0-7432-9443-0
Page Count: 464
Publisher: Atria
Review Posted Online: May 19, 2012
Kirkus Reviews Issue: June 1, 2012
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
