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DYING AND LIVING IN THE NEIGHBORHOOD

A STREET-LEVEL VIEW OF AMERICA'S HEALTHCARE PROMISE

Repetitive, somewhat circular pleading weakens the case, but Singh’s thesis merits discussion for anyone interested in...

A well-intended but imperfectly constructed argument for community-based health care by a physician-turned–medical activist.

The Affordable Care Act of 2010, or Obamacare in shorthand, is a frequent target for the corporate right, offended at the thought that medicine should not be the profit center that, say, oil and copper afford. It is less often criticized by the left, which lends Singh’s (Arnhold Global Health Center, Mount Sinai) critique an interesting cry-in-the-wilderness quality. The author works from a by-now-quaint notion that the physician is the advocate for the patient and, more, that a doctor is a kind of “natural attorney for the poor.” In this advocacy, the physician must leverage existing networks not of insurers but of friends, neighbors, and family. Obesity, for instance, is a widespread problem everywhere in the United States but especially in poor neighborhoods, where nutrition is indifferent and healthy food not easily accessible. In such an instance, promoting good health practices to any effective measure involves remaking the community as much as the individual. Singh’s arguments against a health care regime “imbalanced in favor of technocrats and captains of industry” are very well-placed, as is his critique of ACA for, among other things, not including communities in health care planning or considering the neighborhood as a natural political unit; no one is better positioned to advance these arguments. Yet he is long in the diagnosis and short in the healing. While he states in many ways the basic notion that neighborhoods need to be engaged in health care, that community-based medicine needs to be made a priority, he is less cogent in advancing specific ways in which we can move toward “total population health,” as one of his chapter titles puts it, and shift medicine away from its current corporatized model.

Repetitive, somewhat circular pleading weakens the case, but Singh’s thesis merits discussion for anyone interested in curing a sick health care system.

Pub Date: Sept. 11, 2016

ISBN: 978-1-4214-2044-8

Page Count: 312

Publisher: Johns Hopkins Univ.

Review Posted Online: June 29, 2016

Kirkus Reviews Issue: July 15, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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