by Preston Lauterbach ‧ RELEASE DATE: April 1, 2015
Beale Street is mostly a tourist trap now, but it was a place of “whorehouses, saloons, and bullet holes” not so long ago....
Excellent study of an iconic Southern place and the fraught, violent history behind it.
Many Americans have heard of W.C. Handy, but more as a practitioner of the blues than the serious student and entrepreneur that he was. Still more will likely have heard of Beale Street, the Memphis road that has put its mark on musical history—ethnic history, as well. Lauterbach (The Chitlin’ Circuit and the Road to Rock ’n’ Roll, 2011) opens with a race riot immediately following the Civil War, when it became directly clear to the African-Americans of the city that nothing had changed. The author locates the center of his tale in the beating heart of a light-skinned black man, Bob Church (“Church had dark, straight hair, bear-greased and parted, intense brown eyes, and beige skin. Nothing about him betrayed African heritage”), who surveyed the scene and organized his own city within a city. Not that Church was, strictly speaking, a philanthropist or altruist: The empire he founded included brothels, music halls that saw “the Memphis debut of the debauched dance known as the can-can,” and, in time, places where a man could buy all the cocaine, guns and whiskey he desired. The tightening racial oppression of Jim Crow, coming to full force in the 1890s, “had the somewhat paradoxical effect of strengthening black communities,” writes the author, and it was into this thriving milieu that Handy, “moving between worlds,” arrived and began to do his musicological work, setting the stage for the emergence of Memphis as a musical crossroads and center of jazz, blues, and, later, soul and R&B. In charting its rise, Lauterbach adds to the rich library devoted to the “old, weird America” established by writers such as Michael Ventura, Peter Guralnick and Greil Marcus.
Beale Street is mostly a tourist trap now, but it was a place of “whorehouses, saloons, and bullet holes” not so long ago. By Lauterbach’s illuminating account, the past was more fun—or at least more interesting.Pub Date: April 1, 2015
ISBN: 978-0-393-08257-9
Page Count: 384
Publisher: Norton
Review Posted Online: Feb. 4, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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