by Prince with Dan Piepenbring ‧ RELEASE DATE: Oct. 29, 2019
A poignantly intimate, revelatory read for Prince fans and music lovers.
A legendary musician and the co-author he chose three months before his death sketch a tantalizing half-finished self-portrait in both words and images.
When Prince died in 2016, he left behind 30 pages of a memoir that his co-writer, Paris Review advisory editor Piepenbring (co-author: Chaos: Charles Manson, the CIA, and the Secret History of the Sixties, 2019), had annotated with the singer’s own expansions and that Prince had intended as a “handbook for the brilliant community: wrapped in autobiography, wrapped in biography.” Remaining scrupulously faithful to that vision, Piepenbring pieces together Prince’s memoir fragments with never-before-seen memorabilia the editor helped excavate from the singer’s Paisley Park vault in Chanhassen, Minnesota. The book opens with Piepenbring’s warm remembrances of their brief association and statement of mission. Though unfinished, the memoir, which is divided into four parts, was to have set forth what Prince called an “an unconventional and poetic journey” that celebrated the creative freedom he prized above all else. Prince remembers the glamorous parents who raised him and whose interpersonal conflicts later fueled much of his creative output. He also reminisces about his hometown, Minneapolis, his worship of his musician father, and his first loves, music being chief among them. The second section, “For You,” consists of photographed images—at once funny and supremely personal—of a scrapbook Prince kept in the years preceding his first album, For You (1978). In “Controversy,” Piepenbring traces the creative work that followed For You and preceded Purple Rain (1984) with images of both the singer and lyrics—complete with Prince’s doodles and corrections—to such classics such as “1999.” The final section, “Baby I’m a Star,” features both handwritten treatments for Prince’s semiautobiographical film, Purple Rain, and Piepenbring’s typewritten version. Laced throughout with quotations from Prince interviews, this visually stunning labor of love reveals the shy, vulnerable man behind the glitz and controversy without ever “punctur[ing] the veil of mystery around him.”
A poignantly intimate, revelatory read for Prince fans and music lovers.Pub Date: Oct. 29, 2019
ISBN: 978-0-399-58965-2
Page Count: 288
Publisher: Spiegel & Grau
Review Posted Online: Oct. 29, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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SEEN & HEARD
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