BLACK BUTTERFLIES

The human costs of the siege of Sarajevo in the 1990s are recounted in a compelling debut.

Zora, a 55-year-old painter and art instructor, lives a busy life  in Sarajevo with her older husband, Franjo. When, during the early days of the partisan conflict, the family’s equanimity is upset by squatters trying to take possession of Zora’s mother’s apartment, Zora and Franjo decide that he will accompany her mother on an earlier-than-planned visit to their daughter and son-in-law (and beloved granddaughter) in England. Unable to believe or comprehend that the military action beginning to envelope the city will last for very long, Zora stays behind to watch the family’s properties and continue her work. Over the course of the following year, Zora struggles to survive as battling factions fight for control of a city that had previously been marked by the calm cohabitation of residents of various nationalities and religions. As residents of her apartment building band together in mutual support after the city loses telephone, electric, and water services, Zora resorts to desperate means to survive the quickly developing brutal circumstances. Faced with no way to escape the freezing weather, dwindling food supplies, and the constant danger of bombardment, Zora finds her lifelong artistic endeavors curtailed. Based on two episodes in her family’s history during the siege, Morris’ account of finding strength in human connection and artistic creation illustrates the cultural, social, and human damage caused by the internecine Balkan conflict. The chronicle of Zora’s ordeal, while sobering, contains episodes of page-turning uncertainty and heartbreaking pathos.

A classic cautionary tale of contemporary relevance.