WEST SIDE LOVE STORY

Romeo and Juliet gets a fresh retelling through two rival San Antonio families and their dueling mariachi bands.

Mariana Capuleta is ready to put her career into high gear. She’s busy enough as an emergency room nurse, but she wants to transition to a physician's assistant program. She also plays in an all-female mariachi band with her sisters to raise money for her family’s community center. When the center is damaged and a balloon payment comes due, the Capuletas need a lot of cash, and fast. Mariana believes their solution lies in winning the local battle of the bands, which is offering a $50,000 prize. Also competing in the battle is Los Reyes, the reigning champion, which happens to be led by the Capuletas’ archrivals, the Montero family. The Capuletas and Monteros had a disastrous falling-out over the gentrification of the neighborhood—a rather big obstacle to overcome that doesn’t feel completely resolved by the end. Mariana is shocked to learn that the Monteros’ mariachi band is led by Angelo, the mysterious man she shared a sizzling New Year’s Eve kiss with earlier that year. As in many Oliveras romances, the cast consists of large and lively families, but this time they have more Shakespearean flair. Those familiar with the Bard will pick up on the little plot-related easter eggs Oliveras drops in, perhaps as harbingers of future books. There’s a lot going on with both the main characters, however, including their romance and the issues that plague their respective families. The narrative is stretched thin, and readers may find themselves wanting to simply spend more time with Mariana and Angelo without all the background noise.

An overstuffed plot tempers this passionate romance.