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BURN-IN

A NOVEL OF THE REAL ROBOTIC REVOLUTION

The FBI’s bots are a great premise for a series. Just keep those suckers away from Putin.

A near-future SF thriller starring an FBI agent and one damn smart robot.

Turmoil threatens the United States due to the “collision between an evolutionary species and a revolutionary technology.” Nearly a million aggrieved vets march on Washington, D.C., and set up a digital blockade against the police. Then the FBI assigns Special Agent Lara Keegan to a robot called a Tactical Autonomous Mobility System to perform a “burn-in,” a field test under real-life situations. TAMS is a highly intelligent “learning system” whose job is to help Keegan. Her job is to teach the bot human interaction skills through daily experience. By now, bots are so common that many in society are fearful. “It is not human jobs that are at risk from the rise of the robots,” says a man nicknamed Moses. “It is humanity itself.” But the FBI sees TAMS as always subordinate to the human—“man before machine,” says Keegan’s boss. “Woman,” she replies. Keegan and TAMS work together brilliantly, although her husband warns that the bot will learn more than she wants it to. “One massive sensor,” TAMS is a quick study, whether assessing a crowd threat, picking up on Keegan’s emotions, even playing Sesame Street songs for her young daughter, Haley. Yet it’s “not just some servile knee-high domo,” but “a machine with a mission.” In some ways this is a typical thriller with a tsunami on the Potomac River and other twists of fortune that eventually land the good guys just where they should land. There are lots of clever details, like vizglasses that transmit what people see to a computer, “frozen synth shrimp from Tennessee,” and “freegans…living off a dying society’s leftovers.” With the success of this bot, many copies will follow, all learning quickly, all subordinate to their humans.

The FBI’s bots are a great premise for a series. Just keep those suckers away from Putin.

Pub Date: May 26, 2020

ISBN: 978-1-328-63723-9

Page Count: 432

Publisher: Houghton Mifflin Harcourt

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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