A warm, intellectually rich journey through several nations and identities.
A Chinese-American woman reimagines her parent’s flight from China in this semifictional debut memoir.
In this darkly enchanting book, Zhang interrogates and re-creates the turbulent life of her father, a Chinese émigré, and the last half-century of Chinese history—some of which she saw for herself while visiting the country over the years. Zhang’s father, whom she here calls “Wang Kun,” grew up in a country that was in thrall to regional thuggery, brutal Japanese occupation, and all-consuming civil war; by 1949, Mao Zedong had won that war. Wang Kun studied with two literature-professor sisters from a powerful family that he called “the Kennedys of China” and later fled the country by way of Hong Kong for the West. Zhang says that she spent a good part of her life “renouncing all things Chinese”; now, in the course of her father’s “slow but unstoppable degeneration,” she works to piece his history together. The resulting book is partly fictional, with italicized, imaginative chapters interspersed with straight memoir and settings ranging from wartime Chongqing to upstate New York. The photographs that pepper the text are useful and create a scrapbook-ish verisimilitude. However, the book would have been nearly as strong without them, as Zhang delivers images in prose that are far more powerful than any photograph could communicate. One paragraph evokes the “thick plumes of smoke” moving across the waters of a devastated Nanking; another passage describes a pit near Gele Mountain, containing “94 bodies…bound with handcuffs bearing the inscription ‘Made in Springfield, Massachusetts.’ ” As a child, Zhang says, she had difficulty making sense of the different elements of her father—his charm, his temper, his formidable intellect, and the fact that he would nonetheless “play the Laughing Chinaman for American audiences” at cocktail parties. But in the end, through her exploration and self-described “embellishments,” she gives readers a real and unified man.
A warm, intellectually rich journey through several nations and identities.Pub Date: Feb. 28, 2017
ISBN: 978-1-885030-52-8
Page Count: 352
Publisher: Kaya Press
Review Posted Online: Feb. 26, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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