A superb introduction to a master of the craft and a work of art in and of itself.
A brilliant Black boy in Harlem falls in love with words and becomes one of America’s most important literary voices.
Young James Baldwin had to clear many obstacles to become the famous writer whose words would help a nation look itself in the mirror. While his mother cleaned other people’s homes, James took care of his siblings and read voraciously. His stepfather, a preacher consumed with anger at the world, discouraged James’ love of books other than the Bible, but his mother nurtured his passion. As a teenager, James preached at his stepfather’s church and later worked several service jobs before escaping the confines of Harlem. In France, James made a new home in the mountains and shook loose the stories he held inside. This dynamic portrait of one of America’s most celebrated literary heroes ends with the publication of his book Go Tell It on the Mountain; backmatter touches on his novel Giovanni’s Room and his identity as a queer man. With his lyrical prose, Harris shows off a writer’s delight in words, trusting his young readers to make sense of even seemingly complex turns of phrase. Caldecott Honor–winning illustrator James’ painterly art is a brilliant ode to Baldwin, to Harlem, and to books, featuring expressive strokes, composition, and perspective to create unique sensations in each immersive scene.
A superb introduction to a master of the craft and a work of art in and of itself. (more about James Baldwin, author’s and illustrator’s notes, select sources) (Picture-book biography. 5-9)Pub Date: Jan. 7, 2025
ISBN: 9780316483933
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: today
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
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