A pleasing historical coming-of-age tale set in a Europe in flux.
In deBruney’s novel, a young woman seeks independence in the rapidly changing world of early-20th-century Austria.
In 1914, Ilse Eder is 17 years old and the youngest daughter of intellectual Dr. Ansel Eder. She quietly sits in the corner of her father’s meetings with some of the greatest thinkers in Vienna, exercising her own curiosity and forming her own opinions. Her father decides against formally debuting her into society, as he’s nervous about the city’s political atmosphere; instead, he sends her to live with her elder sister, Therese, and her in-laws, the Kassners, at their home outside Linz. Ilse finds the Kassners to be hostile but their close family friend, Junius von Hess, to be handsome and beguiling. Soon, she falls in love with him, even as tensions are increasing across Europe. In a novel divided into four parts, spanning more than two decades, DeBruney’s lyrical and briskly paced writing drawing readers into Ilse’s world. At first, experiencing a romance with Junius seems to be Ilse’s main purpose in life. DeBruney’s prose description of the young people’s feelings is particularly enchanting: “Rare is the mind that can resist the chemical pull of pleasures so foreign, sensations so new.” Yet, as the novel progresses, the author steps away from pure romance, extending Ilse’s journey into one of the mind and having her seek comfort in her own personhood. Both aspects of the story make it compelling, and strong research and attention to detail enhance it further; several footnotes expand on specifics, such as German language usage, literary references, and historical events. Although the time-jumps between the four parts (set in 1914, 1922, 1934, and 1936) can be jarring, the story remains satisfying as it plays with readers’ knowledge of the First and Second World Wars.
A pleasing historical coming-of-age tale set in a Europe in flux.Pub Date: Jan. 8, 2024
ISBN: 9798989556427
Page Count: 341
Publisher: Self
Review Posted Online: March 19, 2024
Kirkus Reviews Issue: May 1, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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