An eclectic travelogue with words of warning: “People love to visit here, but none of it’s real, y’know?”
Stories to remind us that sometimes the things that haunt us most aren’t people, but places, frozen in time.
Prolific horror author Wood teams up with writer and artist Koon for a haphazardly curated but infinitely curious collection of postmodern myths set in darkest winter. The stories feature everything from casual incursions of the fantastic into everyday life to surrealist fever dreams that defy description, all named after their settings. The opener, “Dhaka,” by Anjum Noor Choudhury, finds a fleet political operative outmaneuvering a restless spirit, while Sarah Read’s “Paris” depicts a young street artist facing an O. Henry–esque quandary regarding his cursed pencils. Here, we start to get more hints of menace, too: “You can get into the catacombs from almost any part of the city. Out can be harder.” As one might expect, there are lots of ghosts lurking about, from the shadows of the city’s old sins in “Dublin,” by Christian Fiachra Stevens, to the blindfolded wisp that haunts a soldier in Matt Hollingsworth’s “Zagreb.” The most effective stories are practically haunted houses, but there’s plenty of cinema-scale spectacle, too, from the Victorian underworld of Lily Childs’ “London” to the gladiatorial combat in Mars Abian’s dystopian “Manila.” Of course, a book wouldn’t properly be considered urban fantasy without a healthy dose of old-fashioned magic, and this frosty collection delivers it in abundance. A trio of siblings employs Jewish mysticism to raise the dead in Jonathan Papernick’s “Jerusalem,” while ancient Finnish spirits, the Martaat, haunt the wintry streets of Xan van Rooyen’s “Helsinki.” The results aren’t always pretty—Richard Kadrey takes a break from Sandman Slim to render a writer, grappling with madness, who carves his words into bones in “Brooklyn,” while the mutilated ghosts of war return in Mike Allen’s “Lewisburg”—an unwelcome reminder that cities are formed as much by stories and memory as steel and concrete.
An eclectic travelogue with words of warning: “People love to visit here, but none of it’s real, y’know?”Pub Date: Dec. 10, 2024
ISBN: 9798991258708
Page Count: 414
Publisher: Ruadán Books
Review Posted Online: Oct. 29, 2024
Kirkus Reviews Issue: Dec. 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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