Kirkus Reviews QR Code
OVERTWIXT by R. L. Akers

OVERTWIXT

by R. L. Akers ; illustrated by Jesse Lewis

Pub Date: Dec. 25th, 2024
ISBN: 9798991822305
Publisher: The Orbital Defense Corps

It’s up to four Earthly siblings to vanquish a ruler tyrannizing otherworldly islands in Akers’ YA debut and series launch.

The Ollivaros family, late for a flight, sprints through an Atlanta airport. As teenager Nachton, younger sisters Amélie and Cécilie, and baby brother Ewan run through Gate 3, they enter the mysterious interdimensional portal right next to it. The kids land in Overtwixt, a group of nilands (floating islands) connected by bridges—an entire realm that sits between parallel worlds. “The Guide,” a centaur-like “centman,” greets the kids and insists that, as humans, they have the ability to oppose this world’s only other human, the Vizier, who’s seized power in Overtwixt. The siblings choose their “paths” from options that the Guide gives them, each with a corresponding role to play and quest to complete. Amélie, for example, as the Empress, “must build trust and loyalty” among the various races in Overtwixt, from the gnomen to the merpeople. The Vizier, meanwhile, is destroying bridges to trap people in this world, including the bridge to the Ollivaros children’s home. This opening series installment teems with impressive worldbuilding: Akers introduces the nilands and supporting characters without saturating the narrative in details. It helps that nearly all of the Overtwixt beings are recognizable fantasy types, including the horselike eqmen, female unicorns, and dragonlike drachmen. The kids have striking personalities; energetic 5-year-old Ewan has a distinctive speech impediment (calling someone named Berserker “Bazooka”), and foolhardy Nachton incessantly complains about being a not-so-active “Loremaster.” While action scenes occasionally crop up, this story primarily consists of Nachton and the others plotting to confront the cloaked-in-black Vizier, who makes relatively few appearances. Still, the exciting final act concludes with a worthy cliffhanger. Lewis’ sketchy illustrations boldly define myriad individuals; most of the images are akin to profile pics.

A huge, colorful cast gives this superb fantasy kickoff a hearty boost.