FRACTURED STATE

Earth is on the verge of being judged unworthy and devoured by alien entities in Tembruell’s SF thriller, the first in a series.

In a hell-world in the center of outer-space’s Dark Matter realm abide the Inani, batlike humanoids who inspired the infamous real-life West Virginia cryptid “Mothman.” They devour unpromising or nonessential planets to sustain themselves; Earth is on the menu, doomed by its detrimental, self-destructive apex species, the greedy and violent Homo sapiens. Earth actually had potential, as evidenced by the nature-centered culture and cosmology of North America’s Indigenous peoples, but they were extirpated by European invaders who were armed with bigotry, firepower, and religious fervor. Present-day humanity (manipulated by secret agents of Chaos) suffers under climate change and political discord. In midst of natural disasters and fascist militias, the state of Texas secedes to be become the brutal Lone Star Nation. (However, it still contains champions and “elementals” on Earth Mother’s side.) Arden McBride is a traumatized veteran of the United States’ invasion of Iraq. Now a born-again “Druid,” he serves as mystic protector of a handful of nature-loving Austin-based pagans running from conservative gun-nut death squads. Other heroes include Komkom “Kwin” Akwini, a talking tree (the mighty Kwin?), and STEM, an elemental spirit who became entangled in a new manmade “innerverse” (the internet) and struggles to comprehend a Donald Trump-era miasma of digital disinformation and hostility. But what of the Mothman? See next installment. This book is very much a stage-setting opener, drawing from the same author-illustrator’s earlier linked short-story compendium, Stories, Legends and Truths From the Blighted Earth (2023). A veritable cornucopia of anthropological musings and introspection accompanies the slight storyline, which is rich in abstruse language and word invention (“Chaos’s En’Troop-EE had invaded the Web with an ingeniously conceived and well-executed insurgency of hate, infiltrating all exchanged processes”) and short on positive things to say about Western civilization. Timely references to 21st-century pathologies distinguish the story from artifacts of the literary era when Carlos Castaneda’s Don Juan did or didn’t walk the Earth.

A vision quest–like eco-fantasy musing on the anguished conditions of modern Earth.