by R. MB. Pearson ‧ RELEASE DATE: Jan. 12, 2025
An intriguing tale of second chances and new love, with a fantastical twist.
In Pearson’s novel, a woman reconnects with herself and her capacity for love upon meeting someone new in the aftermath of her husband’s suicide.
After her aspiring politician husband Peter Garvey unexpectedly dies by suicide one night, Raine’s life is sent into a tailspin, beginning with her appointment as the CEO of Peter’s company, which results in the betrayal of old friends and the discovery that Peter was hiding more secrets than she knows how to handle. Determined to get as far from their home in New York City as possible, Raine moves to Durham, New Hampshire, for a fresh start. While settling into the small college town, she meets Ron Mitchell, a young academic who shares the same gift as Raine’s estranged mother, a mystical ability known in Scottish folklore as An Dà Shealladh: the ability to see the future in dreams (“he got the gift of Two Sights, which was maddening because if something were destined to happen, there would be nothing he could do to change its course”). Ron is in his last semester of school before becoming a full professor and is immediately drawn to Raine, but he can barely muster up the courage to ask to drive her home. Raine feels a connection too, but she is still haunted by grief and betrayal, unable to let anyone get close. Can she ever truly move on from her heartbreaking past? Are she and Ron destined to be, or will outside forces keep them apart? Told from multiple perspectives (some more engaging than others), this is a love story that takes its time—many pages are devoted to setting up who Raine is outside of her relationships and how her past has shaped her into the person she is at the beginning of the book. While this approach adds great depth to her character, the constant switching between past and present grows tiring after a while. Many supporting characters have whole chapters dedicated to them, which also bogs down the pacing. However, Ron and Raine’s budding romance feels genuine and works well as the heart of this novel.
An intriguing tale of second chances and new love, with a fantastical twist.Pub Date: Jan. 12, 2025
ISBN: 9798991959506
Page Count: 416
Publisher: N/A
Review Posted Online: Feb. 14, 2025
Review Program: Kirkus Indie
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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