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HAMLET IS NOT OK

A time-travel story designed to bring Shakespeare to life that educators may find useful.

A reimagined Hamlet with a modern twist.

Selby, like many 16-year-olds, struggles with reading Shakespeare, and her marks in English class show it. A quirky Australian girl from a small town, she has a penchant for taking off her shoes in class. Whenever Selby, who’s cued white, reads, it’s a “word scramble” (a learning disability is hinted at, but that element isn’t developed in the book). While 18-year-old Dan, a bookish Black friend of her brother’s, is tutoring her, Selby’s reading of Hamlet transports them both into the world of the play, and they witness the tragic storyline unfolding firsthand. The novel uses snippets of the original Shakespearean language alongside explanatory dialogue to make the text accessible, with explanations from Dan and Selby’s English teacher uncomfortably intruding upon the narrative at times. Early on, Spratt introduces a motif about the power of imagination, which invites readers to suspend their disbelief when Selby’s voice somehow creates a magical portal into early-modern Denmark. The work uses farcical humor and casual contemporary language, and the author makes a worthy attempt to balance both the adult and teen voices, creating an educational alternative to easy-to-read Shakespearean adaptations. Despite some inconsistent characterization and dialogue that leans into telling rather than showing, the book presents a convincing argument for Shakespeare’s value in modern-day classrooms, even for struggling readers.

A time-travel story designed to bring Shakespeare to life that educators may find useful. (Speculative fiction. 12-16)

Pub Date: March 12, 2024

ISBN: 9780143779278

Page Count: 240

Publisher: Penguin Random House Australia/Trafalgar

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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LEGENDARY

From the Caraval series , Vol. 2

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.

Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.

Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)

Pub Date: May 29, 2018

ISBN: 978-1-250-09531-2

Page Count: 464

Publisher: Flatiron Books

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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