A touching ode to a South Asian culinary staple.
Roti has great significance in Indian life, history, politics, and culture.
Though roti is made with flour, salt, oil, and water, it’s so much more than that, as Mirchandani explains. Similar in structure to Kevin Noble Maillard’s Fry Bread (2019), illustrated by Juana Martinez-Neal, the book relies on statements beginning with the phrase “Roti is.” Roti is the memories of mothers and grandmothers passing their recipes across continents and over generations. It’s the farmers who grow and harvest the grains—and who lie awake at night, worried about their crops. It’s the parents who fret about their children going hungry. It’s the agriculturalists protesting unfair laws and those who march beside them in solidarity. Roti is also a way for immigrants to bring their cultures with them when they leave home. “Roti is life,” as the author concludes. Gupta’s warm illustrations, dominated by earthy yellows and deep blues, alternately follow a family of farmers in India and a family of immigrants carving out new lives in America—both linked by their love of this South Asian flatbread. This tender, lyrical picture book is a clever, poignant look at the myriad ways food nourishes us. It also explores issues of systemic inequality, though readers may be confused about the demonstrations referenced in the narrative. The author’s note states that in 2020, Indian farmers, primarily from Punjab and Haryana, protested “unfair” laws—a vague explanation that will require additional context. Overall, though, this is a visual delight and a pleasure to read.
A touching ode to a South Asian culinary staple. (Picture book. 3-7)Pub Date: Oct. 29, 2024
ISBN: 9780316339469
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
PERSPECTIVES
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
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