A moving, meticulously researched, elegantly constructed work of nonfiction.
A perceptive and intelligent work about mental illness from the New Yorker staff writer.
In her debut, Aviv illuminates the shortcomings of modern psychiatry through four profiles of people whose states of being are ill-defined by current medical practice—particularly by those diagnoses laid out in the Diagnostic and Statistical Manual of Mental Disorders. Throughout, the author interweaves these vivid profiles with her own experiences. When she was 6, in the wake of her parents’ divorce, Aviv was diagnosed with anorexia despite her abiding sense that that label was inaccurate. Later, the author writes about taking Lexapro. “To some degree, Lexapro had been a social drug, a collective experience,” she writes. “After a sense of uncanny flourishing for several months, my friends and I began wondering if we should quit.” Aviv applies her signature conscientiousness and probing intellect to every section of this eye-opening book. Her profiles are memorable and empathetic: a once-successful American physician who sued the psychiatric hospital where he was treated; Bapu, an Indian woman whose intense devotion to a mystical branch of Hinduism was classified against her will as mental illness; Naomi, a young Black mother whose sense of personal and political oppression cannot be disentangled from her psychosis; and Laura, a privileged Harvard graduate and model patient whose diagnosis shifted over the years from bipolar disorder to borderline personality disorder. Aviv treats her subjects with both scholarly interest and genuine compassion, particularly in the case of Naomi, who was incarcerated for killing one of her twin sons. In the epilogue, the author revisits her childhood hospitalization for anorexia and chronicles the friendship she cultivated with a girl named Hava. They shared some biographical similarities, and the author recalls how she wanted to be just like Hava. However, for Aviv, her childhood disorder was merely a blip; for Hava, her illness became a lifelong “career.”
A moving, meticulously researched, elegantly constructed work of nonfiction.Pub Date: Sept. 13, 2022
ISBN: 978-0-374-60084-6
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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