Will strike a chord in many a family.
Bella Bear wants to stir soup and cut bread, but Mama Bear must prevent her from doing these and other dangerous adult tasks.
Mama Bear tries to distract her precocious tot with a trip to the supermarket. Soon Bella’s racing on her tricycle and proclaiming herself ready for a two-wheeler. At the market, Bella fills her own cart with groceries, Mama worriedly eyeing the growing pile. Then Bella does something even more problematic. After seeing chocolate cookies on the top shelf (and knowing Mama’s penchant for chocolate), the cub decides to climb up for a box. Bella manages to reach the cookies—but suddenly Bella is scared and needs her mother’s help, because she is quite small, after all. It’s a good thing Mama is so tall. When they get home safely, the mother and daughter discuss the reality that while it’s good to be big, being small has its advantages, and Bella finally gets the message. The two brown bears of different shades and sizes have a textured look and bold outlines that make them stand out against mostly solid-colored backgrounds. They wear aprons in the house, and their cartoony features are appealing. Their familial love is heartfelt, and the rhyming story conveys a message that young children will easily relate to in a pre-K classroom, library storytime, or a family setting. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 30.3% of actual size.)
Will strike a chord in many a family. (Picture book. 3-5)Pub Date: Nov. 17, 2020
ISBN: 978-0-374-30580-2
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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