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PRINCE OF SHADOWS

A NOVEL OF ROMEO AND JULIET

Simply superb.

Should a successful author of vampire novels (Black Dawn, 2012, etc.) attempt to write an alternative Shakespeare? Thankfully this one did, as the results are delicious.

Choosing Romeo and Juliet as her base, Caine expands the story from the viewpoint of Benvolio, Romeo’s Montague cousin. While Shakespeare’s plot clearly anchors Caine’s, the novel focuses on providing context for the well-known story rather than embellishing it. Beginning with the premise that friend Mercutio is gay and in love with Tomasso, a shy scholar, the book sets up a series of events that will result in Mercutio’s famous dying words, “a plague on both your houses.” Romeo and Juliet remain somewhat minor characters, their story unfolding in the background, mostly offstage. Benvolio himself has a new talent: He’s a cat burglar known as “The Prince of Shadows,” using his skills to exact revenge on those who have done him wrong. Benvolio’s robberies keep pages and plot moving toward Mercutio’s utterance—ambiguous to the characters but not to readers—while the novel remains focused on the overarching theme of love and useless revenge. Most impressive is the author’s simulation of Shakespeare’s language in her prose. Never too obscure for modern readers, it retains the flavor of Shakespearean dialogue throughout, lending an atmosphere of verisimilitude that’s reinforced by the detailed city setting.

Simply superb. (Historical fiction. 12 & up)

Pub Date: Feb. 4, 2014

ISBN: 978-0-451-41441-0

Page Count: 368

Publisher: New American Library

Review Posted Online: Dec. 15, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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