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AUSTEN YEARS

A MEMOIR IN FIVE NOVELS

A nuanced portrait of a writer and reader.

How Jane Austen’s novels can guide readers through joy and grief.

“Criticism and memoir have always been near neighbors,” writes essayist and biographer Cohen (Creative Writing/Univ. of Chicago; Bernard Berenson: A Life in the Picture Trade, 2013, etc.); “the gift of a pronounced personal point of view leads to deeper readings, and to new ones.” In a thoughtful meditation on the interweaving of literature and life, Cohen recounts her reading during years when her life altered dramatically: Her father died, she married, and her two children were born. Those profound experiences made her vibrantly alert to Austen’s themes: “families and friendships and changing history, how we go back over what we have lived, and whether we can hand it on.” Although Austen never married or had children, she “did not forget that her books would be read in rooms where babies had just been born, and where parents had breathed their last.” Rooms, and the objects within them, reverberated with memories and life. Cohen brings to her analysis a thorough familiarity not only with Austen’s unforgettable characters, but also with her critics and biographers, including the “restrained but insightful” memoir written by Austen’s nephew. These works help her to contextualize the novels, which she analyzes with astute sensitivity. Austen’s characters, in fact, emerge more vividly than many individuals from Cohen’s own life. Except for her father, a kind, imaginative man “full of wit” and generosity, others remain shadowy: her mother, a theater director and teacher; Cohen’s husband—their convoluted 15-year courtship, a friend remarked, seemed “very Jane Austen”; her sister, son, and daughter. Cohen’s father was a professor whose research focused on organizations “and the ways people work and play together.” The author remembers him laughing “with delight and with surprise,” and she portrays the family’s home as “a place of tenderness”—though it was not without mysteries (her father’s sudden decision to give all their books away, for example) that, along with treasured memories, came to shape her reading.

A nuanced portrait of a writer and reader.

Pub Date: July 21, 2020

ISBN: 978-0-374-10703-1

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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