This sweet treat of a story is akin to a croquembouche—light, rich, and delicious but nutritionally lacking.
This farcical dramedy takes you from appetizers to dessert—but may not leave you feeling sated.
It's senior year for brother and sister Sam and Ilsa and time for one final dinner party at their grandmother Czarina's rent-controlled apartment on Manhattan’s Upper West Side. (Czarina’s forebears fled Eastern Europe during the pogroms.) The rules are simple: The twins may each invite three people and see how the guests interact. On Sam's side are Ilsa's ex, the suave, ballroom-dancing, Dominican and African-American Parker; Sam's own ex, Jason Goldstein-Chung; and Johan, an Afrikaner whom Sam fell in lust with on the subway. Ilsa's list consists of her school friend Li Zhang; the rude socialite KK Kingsley (presumed white); and Frederyk Podhalanski, a blond Polish exchange student who communicates mostly through his sock puppet, Caspian. Over the course of the evening (narrated in alternating chapters from Ilsa’s and Sam's points of view), this mix of former, current, and future lovers fight, drink, scream at one another, drink, philosophize, drink, and (you guessed it) drink some more. The tone of the book is humorous, although it often toes the farcical line from well on the other side. That rare breed of teen reader who quotes Auntie Mame, Absolutely Fabulous, and Neil Simon will devour this, but others may find the characters and scenario excessively mannered.
This sweet treat of a story is akin to a croquembouche—light, rich, and delicious but nutritionally lacking. (Fiction. 14-18)Pub Date: April 10, 2018
ISBN: 978-0-399-55384-4
Page Count: 224
Publisher: Knopf
Review Posted Online: Feb. 4, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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