by Rachel DeWoskin ‧ RELEASE DATE: April 5, 2011
DeWoskin creates a compelling voice for Judy and performs neat literary magic, confronting the stereotypes of teen fiction...
DeWoskin (Repeat After Me, 2009, etc.) combines two reality-TV staples—teenage sex scandals and little people—in this story about a gifted high-school junior whose struggle to fit in is compounded by her height (3’9”).
Judy—short but a gifted writer with a huge singing voice—has just transferred from public high school to Ann Arbor’s elite Darcy Arts Academy. She’s not sure if the popular Darcy kids—beautiful, seemingly friendly Ginger in particular—are mean girls and mindless hunks or just adolescently neurotic, but Judy quickly makes two genuine if nerdy friends. She also develops an immediate crush on Jeff, who moved to town only a year ago and seems nicer than the other kids in his crowd. Soon after he talks to Judy flirtingly at a Halloween party, Ginger comes over to Judy’s house and warns her that Darcy boys can’t be trusted. But when Jeff offers Judy a ride home one day shortly before Thanksgiving, she can’t believe her luck. They have sex. She’s sure she is in love although he does not treat her like a girlfriend in public, so she doesn’t tell anyone. They continue to have occasional sex until the February night he asks her over and tells her about causing his younger sister’s death when he was drunk. They end up drinking with two of his friends. Judy wakes up at his house the next morning naked, with no memory of what happened. Soon enough she learns that a tape is circulating at the school showing her having sex with all three boys. Because of her height, she is considered “handicapped,” and everyone considers her a tragic victim, making her humiliation worse. She tells her story while hiding in a seedy motel until she is ready to return home to her loving family and friends.
DeWoskin creates a compelling voice for Judy and performs neat literary magic, confronting the stereotypes of teen fiction even as she uses them to pull the readers’ heartstrings.Pub Date: April 5, 2011
ISBN: 978-0-374-11257-8
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
Share your opinion of this book
by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
Awards & Accolades
Likes
20
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2019
New York Times Bestseller
IndieBound Bestseller
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
Share your opinion of this book
More by Sally Rooney
BOOK REVIEW
by Sally Rooney
BOOK REVIEW
by Sally Rooney
BOOK REVIEW
by Sally Rooney
More About This Book
BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
Share your opinion of this book
More by Toni Morrison
BOOK REVIEW
BOOK REVIEW
by Toni Morrison edited by David Carrasco Stephanie Paulsell Mara Willard
BOOK REVIEW
More About This Book
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.