A complex and tightly wound thriller that’s likely to appeal to fans of the series.
An art historian explores her late father’s mysterious past with the aid of an attractive soldier in Grant’s romantic suspense novel.
Six months ago, Dr. Kira Hanson was abducted by a terrorist group and rescued by Lt. Cmdr. Rand Fallon of the U.S. Navy SEALs. Now, Rand is still thinking about her, and by chance, he runs into her again on a naval base in Virginia, where she’s teaching classes to military personnel about interacting with artifacts while deployed overseas.He tried to contact her shortly after her rescue, but an anonymous person intercepted her email and told him to leave her alone; Kira thinks that it was her recently deceased father, who had a shady past. Rand asks her out, but she turns him down, as she’s about to leave for Malta as part of her investigation into the criminal activity in which her father was involved. Then an active shooter somehow gets on base, and it soon becomes clear he’s looking for Kira. Rand takes him down, but the assassin’s motives remain murky. Before long, Rand and Kira are in Malta together, digging into the many mysteries surrounding her dad. This is the third book in Grant’s thriller series; it mostly works as a stand-alone work, but newcomers will feel that some context is missing, particularly for a few of the secondary characters. The suspense is well executed, and the Maltese setting is vividly described: “The heat of the day had lessened as they entered evening hours, but the sun wouldn’t set for another hour and a half, so it was far from cool, and this part of the city lacked the Mediterranean breeze.” The romance plot feels a bit formulaic, but the main characters are likable enough for readers to root for them.
A complex and tightly wound thriller that’s likely to appeal to fans of the series.Pub Date: July 19, 2024
ISBN: 9781944571740
Page Count: 490
Publisher: Janus Publishing
Review Posted Online: July 30, 2024
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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