People who think they don’t like horror stories are going to be very surprised.
Three novellas by a little-known master of horror visit luxurious locations in the twilight zone.
In his introduction to this collection, Daniel Handler finds himself at a loss for words to describe the work of Ingalls (Times Like These, 2005, etc.)—the best he can come up with is “psychological.” So he writes to the author, an American in her late 70s who has lived in the U.K. for more than 50 years. She suggests “a combination of fable, fairytale, and Romance….Maybe that is Gothic.” Whatever their genre, the stories are wry, elegant, and terrifying. The first, I See a Long Journey—also the longest and the best—is Edith Wharton meets Shirley Jackson. It begins in a leisurely fashion, describing how Flora happened to marry James, the scion of “one of the richest families on the Eastern seaboard,” detailing the marriages of the other siblings and getting into a bit of family politics. When Flora and James decide to take a vacation, with their bodyguard, even that unfurls slowly, with the couple dawdling in the airport gift shop buying gifts for their children before they have even left. When they get to their destination and begin to while away the days shopping, eating, and visiting a local oracle, what we have suspected is confirmed—Flora has a raging secret crush on the bodyguard. You will have absolutely no idea where this story is going until it gets there, though when you read it again, as you well might, you see the author almost came out and told you several times. The second is almost a Rocky Horror Picture Show setup—a couple gets lost on their way to visit the eponymous Friends in the Country and winds up fogged in at a mansion with bizarre company and very, very bad food. On Ice sends a nice American girl on a ski vacation with her German boyfriend—but it is certainly not about skiing.
People who think they don’t like horror stories are going to be very surprised.Pub Date: Feb. 14, 2017
ISBN: 978-1-94043-644-9
Page Count: 208
Publisher: Counterpoint
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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