From nocturnes to punk, this musical romance is ripe for filming.
Stocking only vinyl in his London music shop, Frank Adair has the ability to select the perfect song to ease each customer’s spiritual crisis.
The son of a music-obsessed mother, Frank grew up learning about Beethoven’s silences, Vivaldi’s funeral, Bach’s eyes, and Miles Davis’ sly sense of humor. By the time he was a teen, he was teaching his mother, Peg, about João Gilberto, Joni Mitchell, and Van Morrison. After Peg’s death, Frank opens his store in a small cluster of shops. Defying land developers and CD–pushing record reps, Frank eschews alphabetical and genre-based organizational systems in favor of delightfully placing Vivaldi’s “The Four Seasons,” ABC’s “The Lexicon of Love,” and Coltrane’s “A Love Supreme” in the same bin—after all, each is a concept album. He’s a musical therapist, dosing heartache with Aretha Franklin and fussy babies with the Troggs. With his exuberant assistant manager, Kit, and fellow shopkeepers—including Maud, the tattoo artist; Mr. Novak, the baker; the Williams brothers, funeral directors; and Father Anthon, who has left the church to run a religious souvenir shop—Frank is part of a cozy, quirky community, well-insulated from the risks of falling in love…until Ilse Brauchmann faints in front of his store. Immediately smitten with each other, Ilse and Frank realize they are star-crossed when Ilse admits not only that she has a fiancé, but also—even worse—she doesn't listen to music. Yet she asks Frank to describe music to her; thus begins a journey into the emotional terrain charted by “The Moonlight Sonata,” “Ain’t it Funky Now, Parts 1 and 2,” and even “God Save the Queen,” the Sex Pistols’ version. Joyce (The Unlikely Pilgrimage of Harold Fry, 2016, etc.) sets up a charming cast of characters, and her spirals into the sonic landscapes of brilliant musicians are delightful, casting a vivid backdrop for the quietly desperate romance between Frank and Ilse.
From nocturnes to punk, this musical romance is ripe for filming.Pub Date: Jan. 2, 2018
ISBN: 978-0-8129-9668-5
Page Count: 320
Publisher: Random House
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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