A treat for those who like their tricks on the scary side.
This collection of shivery Mother Goose rhymes is sure to put kids in the Halloween spirit.
Opening with a spin on “Boys and Girls, Come out to Play,” Kolar sets kids up for the 12 to come: “Come with a whoop and come with a call; / Come with brave hearts or not at all.” All the favorites are here: “Mary Had a Little Ghost,” “Zombie Miss Muffet” (which doesn’t end well for the spider), “Sing a Song of Witches,” “Mary, Mary, Tall and Scary,” “Little Boy Drac.” Kolar’s scansion is spot-on with the originals, making them delicious to read aloud: “Frankenstein had a marvelous mind, / And a marvelous mind had he; / He called for some arms and he called for some eyes / And he called for his thunderbolts three.” Not all are creepy, though: “Twinkle, twinkle, lantern Jack, / Grinning orange against the black, / Crouched beneath the window light / Like a watchman in the night.” “Wee Willie Werewolf” rounds out the collection: “Growling at the window, howling to the skies, / ‘Are the monsters all in bed? The sun’s about to rise!’ ” Garrigue’s appropriately spidery illustrations employ a palette that’s heavy on purple and black, and there are lots of creepy details for observant readers to spy. Of the humans/humanoids who are alive, three have brown skin, and the rest are pale; almost none have discernible chins.
A treat for those who like their tricks on the scary side. (Picture book/poetry. 4-8)Pub Date: July 15, 2018
ISBN: 978-1-58536-392-6
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Amid inconsistencies of format and information, the illustrations end up giving the most clarity about this festival.
Diwali, the festival of lights, a five-day celebration that has many different forms, is celebrated in different ways across India and in many other countries.
This board book cursorily presents the different rituals associated with this celebration of the Hindu New Year, including getting the house ready to welcome Lakshmi, the goddess of wealth; decorating the house with rangoli and diyas; and celebrating with family, friends, fireworks, and good food. The text is simple and gives only very basic information. “On the fifth and final day of Diwali, we celebrate brothers and sisters. The lifelong bond between siblings is special, and we honor that.” The illustrations show four different sets of siblings celebrating each other in different ways, none of which are mentioned in the text, making it difficult for younger readers to understand the complexity of the celebration. Sreenivasan’s illustrations are colorful, detailed, and authentic, and they carry the book. They feature happy and smiling dark-haired people with a range of skin tones, diverse in ethnicity and dress. In bright, vivid colors, intergenerational families and friends from different regions come alive, dressed up in their colorful best, celebrating and enjoying the festival together in different ways. The board format of this title does not match the age range and conceptual level of the text.
Amid inconsistencies of format and information, the illustrations end up giving the most clarity about this festival. (Board book. 4-8)Pub Date: Aug. 28, 2018
ISBN: 978-1-5344-1990-2
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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