A richly rewarding stand-alone story evoking far more color than its titular tint might suggest
Meridy Turiyn's black eyes and dark skin tell every small, fair-skinned mind in Tikiy-by-the-Water what they need to know—she's inherited the eyes of a witch from her late mother and dark complexion from an unnamed Southern father. In short: outcast.
When she turns 15, Meridy's deplorable aunt pawns her off as an apprentice to the town's soap maker, a fate far removed from the romantic tales of sorcery and ancient kings Meridy loves. Before this life sentence can even begin, Meridy meets a ghost who is anchored to a dying stranger. In saving the stranger's life, Meridy is immediately propelled into a mission involving sorcery, claims on thrones, and a witch king supposedly dead for centuries—all while learning to wield the magical power brewing within her. As to be expected from this cerebral purveyor of fully realized fantasy worlds, Neumeier firmly establishes the laws and rules of this medievallike fantasy's reality early on, but she also gives Meridy's world a romantic tinge, from the colors of a couture gown to the gnashing tusks of a fire horse. Catharsis comes as Meridy rejects the life bestowed upon her by tradition and expectation and realizes the dark skin and eyes that set her apart physically aren't anything to feel shame for.
A richly rewarding stand-alone story evoking far more color than its titular tint might suggest .(Fantasy. 14 & up)Pub Date: March 14, 2017
ISBN: 978-0-553-50932-8
Page Count: 384
Publisher: Knopf
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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