This spinoff is heavy on the poop jokes and light on almost everything else—readers expecting a boy Dork Diaries with equal...
This is Max Crumbly's first experience in public school, and so far he's vomited on bully Doug "Thug" Thurston, forfeited a race due to his insistent bladder, and been locked in his locker—but it's still better than home-schooling with Grandma.
Humiliation's a bummer, but cute Erin Madison seems friendly, so the asthmatic, white eighth-grader perseveres. Max laboriously introduces his quirks (chiefly a preoccupation with bathroom functions, but he also likes comic books and rap), his supporting cast, and plot elements in an illustrated "journal" that's marked by many exclamation points and cross-outs. The latter can be baffling; readers will understand why Max seeks to conceal his crush on Erin from his putative audience (and himself), but why redact "I could eat a bowl of alphabet soup and POOP better lyrics!"? Pacing is uneven: the action doesn't really get underway till about the two-thirds mark, when Thug locks Max up again, this time for a long weekend, and the would-be superhero discovers three inept burglars as he tries to escape—and then the story ends on a cliffhanger. Even given its conscious nod to comic books, the plotting is implausible and the prose often painfully artless ("That's when I excitedly came up with a brilliant plan!"), making its eighth-grade authorship all too convincing.
This spinoff is heavy on the poop jokes and light on almost everything else—readers expecting a boy Dork Diaries with equal nuance may be surprised . (Graphic/fiction hybrid. 8-12)Pub Date: June 7, 2016
ISBN: 978-1-4814-6001-9
Page Count: 320
Publisher: Aladdin
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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