by Rachel Somerstein ‧ RELEASE DATE: June 4, 2024
A hard-hitting critique of a persistent problem.
A sharp account of an agonizing experience of childbirth.
Journalist Somerstein makes her book debut with a raw chronicle of the birth of her first child, which culminated in an unplanned Cesarean section. Because anesthesia failed, she suffered horrifically searing pain and a protracted period of healing. She also suffered severe emotional trauma, ending up with lifelong PTSD—a response, she learned, that affects nearly one in five women who give birth. The author’s anger over that traumatic experience infuses her investigation of the medical, social, and cultural history of C-sections and, more broadly, of a medical system that denies pregnant women’s autonomy and discredits or ignores women’s pain. C-sections, she reports, have become the most common operation in the world, accounting for 31.8% of births in the U.S. Furthermore, “Black, Hispanic/Latinx, and Asian women are disproportionately more likely than whites to have C-sections.” First developed on dead or dying women, with the aim of saving either the fetus or the mother, C-section technique in the U.S. was honed on enslaved people and, during a wave of eugenics, on women deemed unfit to bear more children. Somerstein sees the current uptick in C-sections as evidence of physician hubris and the rampant medicalization of childbirth, including an increased reliance on technology such as electronic fetal monitoring and ultrasounds. The author also discovered that hospitals are incentivized to promote technological responses to childbirth “because these are the kinds of care that insurance companies reward.” If midwives were more fully integrated into childbirth care, as Somerstein advocates, the rate of C-sections likely would be diminished. The author draws on considerable research, including interviews “with midwives, physicians, sociologists, historians, doulas, therapists, and other parents”—conversations, she writes, that “helped me to better understand how what happened to me could have happened.”
A hard-hitting critique of a persistent problem.Pub Date: June 4, 2024
ISBN: 9780063264410
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: April 2, 2024
Kirkus Reviews Issue: May 1, 2024
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by Bill Maher ‧ RELEASE DATE: May 21, 2024
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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