by Rachel Vincent ‧ RELEASE DATE: May 9, 2017
Adds nothing new to a crowded genre.
After a chance encounter with a boy, a girl discovers secrets about herself and her society.
In Lakeview, a new genome’s manufactured every year for each division—the trade labor division adds 5,000 identical girls yearly. Gardener Dahlia 16’s life changes when she’s trapped in an elevator with regulation hottie Trigger 17 of special forces, and they end up chatting—in violation of their society’s strict rules. Soon, they’re falling for each other, despite the fact that her feeling attraction to him is proof of a defect—and a detected defect means the recall not just of Dahlia, but of all 4,999 of her shared genomes; and recall means extermination. This setup part of the book is rather extended, and little pieces of the worldbuilding don’t add up, which means, as any reader of recent teen dystopias will guess, that a secret, sinister twist awaits! Despite the lack of originality, the prose moves quickly, a good thing, considering how long it takes to move out of the exposition. The uneven pacing continues up to the abrupt cliffhanger ending that offers no resolution. Although race has different meaning in a world where genomes are designed and selected for variety, and other races are presented in the background, Dahlia’s genome is white, and Trigger’s skin is described as “a few shades deeper.”
Adds nothing new to a crowded genre. (Dystopian romance. 12 & up)Pub Date: May 9, 2017
ISBN: 978-0-399-55245-8
Page Count: 272
Publisher: Delacorte
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
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by Isabel Ibañez ; illustrated by Isabel Ibañez ‧ RELEASE DATE: Nov. 5, 2024
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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