RED WOLF

A red-cloaked girl encounters (were)wolves.

Born and raised in Oakvale, a small town surrounded by a beast-riddled and ever encroaching dark wood, 16-year-old Adele Duval enjoys her provincial life. She hopes to wed and raise children with Grainger Colbert, spend time with her sister and mother, and overcome rumors of the Duval family curse. However, on a trip to see her Gran in the wood, Adele unexpectedly transforms into a redwulf and learns she is now a lycanthropic guardian like her mother and grandmother. To her dismay, Adele also learns that she’s long been betrothed to Maxime Bernard, a handsome carpenter from Ashborne who is privy to her secret superpowers. Tasked with protecting villagers and travelers against the other monsters of the dark wood, Adele relishes her new powers but struggles with her new responsibilities and romantic prospects. The beasts in the woods—often heard rather than seen, per the best horror conventions—may eat people, but faced with hard decisions and hard-line villagers, Adele discovers that humans can be equally dangerous, particularly to independent and unconventional women. Pivoting from her contemporary thrillers, Vincent offers a richly detailed, old-fashioned fantasy with a dash of horror set in a pre-industrial Francophone European countryside populated by White characters. Vincent’s contemplation and dissection of monstrosity elevates this retelling above a crowded field but dilutes its insights with regrettably generic tropes.

A dark and intriguing fairy-tale adaptation.