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OUT, OUT AWAY FROM HERE

Name: OUT, OUT AWAY FROM HERE
Author: Rachel Woodward
ISBN: 978-1-911171-33-1

by Rachel Woodward ; illustrated by Sang Miao ‧ RELEASE DATE: April 3, 2018

Honors the emotional lives of many—but not all—children.

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When a child is overcome by negative emotions, solace can be found in the imagination.

The narrator confides to readers, “Some days I feel smiling-ear-to-ear GLAD. / And some days I feel MAD SAD SMILING-EAR-TO-EAR GLAD. // … // But on those MAD SAD NOISY days… // I like to go OUT, OUT, AWAY FROM HERE… / …into the wild of my imagination.” Miao uses bright watercolors to paint a narrative subtext into the pictures. There is a new baby sibling in the home, along with parents who are under stress and sometimes argue. In one striking double-page spread, the parents’ angry, shouting dark silhouettes are in the foreground, framing a worried-looking baby and the narrator, who flees. The scenes in the child’s imaginary world are bright, busy, and fantastical, full of surreal images in sometimes-dizzying compositions. They provide enough space that when the child returns, the home is calm, and smiling parents have a warm supper waiting. The family presents white and middle-class. The story begs comparison to Molly Bang’s When Sophie Gets Angry—Really, Really Angry… (1999), but this child is escaping the heightened emotions of others rather than managing their own. Readers with functional families that experience strife may find mirrors here, but those in toxic environments are likely to have more complex reactions.

Honors the emotional lives of many—but not all—children. (Picture book. 4-8)

Pub Date: April 3, 2018

ISBN: 978-1-911171-33-1

Page Count: 32

Publisher: Flying Eye Books

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

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A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)