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NIGHTBITCH

A battle hymn as novel about sinking your teeth into the available options for self-determination and ripping them to shreds.

A new mother who fears she's going through a frightening and exhilarating transformation leans into the feral side of motherhood.

In this myth-steeped debut, an unnamed artist and mother, not having had a solid night's sleep since her son was born more than two years earlier, has begun waking enraged in the night. Her oblivious tech-bro husband travels for work, "rendering her a de-facto single mom" while he enjoys nightly room service, abundant quiet, and a bed to himself, and she tries to adjust to life at home with their child after having made the ambivalent decision to leave her "dream job" as director of a community gallery. In the wake of creating another human with her body (not to mention sleep deprivation and lack of child care), her impulse to create in other ways has been quashed, her mind wiped clean of ideas as she watches grad school friends, who have both children and the necessary support to advance their careers, ascend, with write-ups in the Times, biennials, residencies, and guest teaching invitations. When she confesses to her husband that she thinks she may be turning into a dog, he laughs off her concerns about the changes she's experiencing—coarse hair sprouting from the back of her neck, lengthening canines, a pilonidal cyst that suspiciously resembles a tail. She self-deprecatingly calls herself "Nightbitch," which plants the germ for a new self she incrementally invents and increasingly embodies, with considerable help from a mysterious library book called A Field Guide to Magical Women. Though at points this novel can read as if ticking boxes from a list of notes cribbed from an internet moms' group, it remains a darkly funny, often insightful dive into the competitive relationship and mutually generative potential between art and motherhood and the animalism underlying procreation and child-rearing. It is both a lament for and, at times, a satire of discontented, primarily White, heterosexual cis women who, without sufficient familial or community support, seek out often toxic and sometimes predatory online communities, where their propensities for a certain kind of American middle-class girl-boss elitism are honed toward "mom shaming" and multilevel marketing scams. Disconnected from family and without a strong sense of cultural belonging, even when Nightbitch seeks to create something truly original, like the MLM moms slinging leggings with appropriated patterns, she also colonizes, longing for and profiting from "the things [she] never had."

A battle hymn as novel about sinking your teeth into the available options for self-determination and ripping them to shreds.

Pub Date: July 20, 2021

ISBN: 978-0-385-54681-2

Page Count: 256

Publisher: Doubleday

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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