A battle hymn as novel about sinking your teeth into the available options for self-determination and ripping them to shreds.
A new mother who fears she's going through a frightening and exhilarating transformation leans into the feral side of motherhood.
In this myth-steeped debut, an unnamed artist and mother, not having had a solid night's sleep since her son was born more than two years earlier, has begun waking enraged in the night. Her oblivious tech-bro husband travels for work, "rendering her a de-facto single mom" while he enjoys nightly room service, abundant quiet, and a bed to himself, and she tries to adjust to life at home with their child after having made the ambivalent decision to leave her "dream job" as director of a community gallery. In the wake of creating another human with her body (not to mention sleep deprivation and lack of child care), her impulse to create in other ways has been quashed, her mind wiped clean of ideas as she watches grad school friends, who have both children and the necessary support to advance their careers, ascend, with write-ups in the Times, biennials, residencies, and guest teaching invitations. When she confesses to her husband that she thinks she may be turning into a dog, he laughs off her concerns about the changes she's experiencing—coarse hair sprouting from the back of her neck, lengthening canines, a pilonidal cyst that suspiciously resembles a tail. She self-deprecatingly calls herself "Nightbitch," which plants the germ for a new self she incrementally invents and increasingly embodies, with considerable help from a mysterious library book called A Field Guide to Magical Women. Though at points this novel can read as if ticking boxes from a list of notes cribbed from an internet moms' group, it remains a darkly funny, often insightful dive into the competitive relationship and mutually generative potential between art and motherhood and the animalism underlying procreation and child-rearing. It is both a lament for and, at times, a satire of discontented, primarily White, heterosexual cis women who, without sufficient familial or community support, seek out often toxic and sometimes predatory online communities, where their propensities for a certain kind of American middle-class girl-boss elitism are honed toward "mom shaming" and multilevel marketing scams. Disconnected from family and without a strong sense of cultural belonging, even when Nightbitch seeks to create something truly original, like the MLM moms slinging leggings with appropriated patterns, she also colonizes, longing for and profiting from "the things [she] never had."
A battle hymn as novel about sinking your teeth into the available options for self-determination and ripping them to shreds.Pub Date: July 20, 2021
ISBN: 978-0-385-54681-2
Page Count: 256
Publisher: Doubleday
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
