An uplifting historical account for younger readers, and a necessary reminder of the importance of religious inclusion.
America’s first president was a beacon of hope to the Jewish community of Newport, Rhode Island.
Based on actual events and people, this story details George Washington’s visit to Newport on August 17, 1790, after Rhode Island’s ratification of the Constitution. He also came to raise support for the Bill of Rights, which would guarantee religious freedom. As the narrative begins, everyone is excited about Washington’s arrival, including 9-year-old Bella Seixas. Her father, Moses, head of Congregation Yeshuat Israel, has told her that Washington is a “guiding light to religious freedom,” because in America, Jews “can pray and celebrate our holidays without fear.” Bella, her younger sister, and several other kids create signs in Hebrew and English to express their gratitude, but the crowds greeting the great man’s ship are so large that they go unnoticed. Undaunted, they make candles—perfect for a “guiding light”—but children aren’t allowed in the inn where Washington is lodging. Bella’s final idea succeeds: The children rush to the port from which Washington’s ship will sail and, with their lit candles, sing to him. Washington notices them at last and smiles gratefully. This fascinating story offers encouraging evidence that young people can do important things. Though solemn, Fedele’s artwork is imbued with a sweetness that makes distant historical events feel immediate.
An uplifting historical account for younger readers, and a necessary reminder of the importance of religious inclusion. (author’s note) (Picture book. 4-7)Pub Date: Oct. 1, 2024
ISBN: 9781954354302
Page Count: 32
Publisher: Creston
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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