The creators of Rough Face Girl (1992) and The Boy Who Lived With the Seals (1993) belatedly get together for another strongly told, strikingly illustrated folktale. Detailing his own additions in an appended note, Martin reworks an old Hawaiian myth into a story of mercy rewarded. After freeing a trapped shark rather than allow it to be killed, two children celebrate by tapping on the king’s drum, which is forbidden. When the hard-hearted king condemns them to death, their parents pay a call on Kauhuhu, the Shark God, who summons up a great wave that destroys the village, frees the children, and washes the reunited family on its way toward a distant, kinder home. Shannon peoples his island scenes with sturdy, tattooed, mahogany-skinned figures, but Kauhuhu, magnificently huge and ferocious, is by far the most powerful presence here: human in form, but with silver skin, decidedly sharklike features, and an immense toothy mouth tattooed across his shoulder blades. A slight confusion at the end identifies the father as a canoe-builder for the first time calling him by that name, but there’s enough joy, terror, and drama here to captivate any reader or listener. (Picture book/folktale. 7-10)
Pub Date: Oct. 1, 2001
ISBN: 0-590-39500-9
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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