by Ragnar Jónasson ; translated by Victoria Cribb ‧ RELEASE DATE: May 24, 2022
A shivery delight. It’s nice that the Icelandic Tourist Board hasn’t paid Jónasson to quit publishing.
The ptarmigan hunt four old friends have planned for a winter weekend in the wilds of eastern Iceland goes south when the weather turns on them and they turn on each other.
Three of the four—actor Daníel, attorney Gunnlaugur, and Helena, an engineer for a tech startup—would have no business traipsing around in the snow under any circumstances if it weren’t for the fourth, Ármann, a travel guide with a checkered past as a drug user–turned-dealer whose underworld connections in Denmark might well have killed him if Helena hadn’t ridden to the rescue. Once an unexpected snowstorm sends them searching desperately for a hut they can shelter in, it’s gradually revealed that the others all have secrets of their own. Daníel can’t stop lying about the fact that his career in London has never taken off. Helena’s still mourning Víkingur, the ex who died under suspicious circumstances five years ago. And Gunnlaugur is an alcoholic rapist whose two years on the wagon come to an end inside the hut, where the refuge they’ve sought swiftly turns nightmarish with the discovery of an armed stranger inside. No matter what they do, the man won’t move, won’t talk, and won’t put down his gun even when the group falls asleep. Soft-pedaling the supernatural trappings of The Girl Who Died (2021), Jónasson presents the weekend getaway as an excruciatingly slow-motion avalanche in which it’s obvious from the beginning, as Helene says, that “something’s got to die before we finish this trip”; the only questions are who, how many, under what circumstances, and at whose hands.
A shivery delight. It’s nice that the Icelandic Tourist Board hasn’t paid Jónasson to quit publishing.Pub Date: May 24, 2022
ISBN: 978-1-2508-3345-7
Page Count: 352
Publisher: Minotaur
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
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by Ragnar Jónasson ; translated by Victoria Cribb
BOOK REVIEW
by Ragnar Jónasson ; translated by Victoria Cribb
BOOK REVIEW
by Ragnar Jónasson & Katrín Jakobsdóttir ; translated by Victoria Cribb
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Harlan Coben & Reese Witherspoon ‧ RELEASE DATE: Oct. 14, 2025
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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SEEN & HEARD
SEEN & HEARD
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